Bauhaus and Lina Bo Bardi : from the modern factory to the Pompeia leisure center Anelli, Renato, 1959-
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LDR -----naa a22------i 4500 001 001010001324470 003 CZ-PrNPU 005 20240104141522.7 008 230123s2019----po------------------eng-d 040 $aABE320$bcze$erda 072 7 $a72$xArchitektura$2Konspekt$921 100 1 $aAnelli, Renato,$d1959-$7xx0282598 245 10 $aBauhaus and Lina Bo Bardi :$bfrom the modern factory to the Pompeia leisure center /$cRenato Anelli 300 $a7 stran :$bilustrace 336 $atext$btxt$2rdacontent 337 $abez média$bn$2rdamedia 338 $asvazek$bnc$2rdacarrier 520 2 $aThe importance of Bauhaus to Lina Bo Bardi is herein analyzed from two perspectives. One that follows her trajectory from the industrial design course she taught at MASP to its critique, searching in the Brazilian Northeastern popular culture for sources of renewal. The second one focuses on the project of adapting a factory to be used as a leisure center in São Paulo. In addition to valuing the rationality of the factory architecture built in the first phase of Brazilian industrialization, its preservation encompassed, in order for the building to be used for leisure purposes, interventions that altered the disciplinary attributes of the space. The design was conceived as part of the architecture, discarding its serial reproduction. 610 27 $aBauhaus$7kn20010710437$2czenas 650 07 $aarchitektura$7ph118586$2czenas 650 07 $akultura$7ph122009$2czenas 650 07 $adesign$7ph114303$2czenas 655 7 $ačlánky$7fd133976$2czenas 773 0 $w1193962$tDocomomo journal :$x1380-3204$gRočník 61 (2019), strana 42–49$q61$92019 856 42 $uhttps://docomomojournal.com/index.php/journal/article/view/353/76$yČlánek v elektronické podobě 910 $aABE320$trs 997 $tAN
