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LDR    -----nam a22------a 4500
001    001000001214460
003    CZ-PrNPU
005    20190114133523.5
008    171219s2017------------------------eng|-
020    $a978-3-7913-5707-2
040    $aBOE016$bcze$erda
072  7 $a73$xSochařství, keramika, porcelán, umělecké zpracování kovů$2Konspekt$921
100 1  $aBrinkmann, Vinzenz$4aut
245 10 $aGod in color :$bpolychromy in the ancient world /$cVinzenz Brinkmann, Renée Dreyfus, and Ulrike Koch-Brinkmann, editors ; with contributions by John Camp, Heinrich Piening, Oliver Primavesi
260    $c2017
300    $a191 stran :$bilustrace ;$c29 cm
336    $atext$btxt$2rdacontent
338    $asvazek$bnc$2rdacarrier
500    $aIssued in connection with an exhibition held Oct. 28, 2017-Jan. 7, 2018, Fine Arts Museums of San Francisco, Legion of Honor
520 2  $a"This stunning book uses 21st-century technology to reveal the original colors of ancient sculpture. When Renaissance artists sought to imitate ancient sculpture, their medium of choice was pure, white marble, but little did they know that the works they emulated were originally painted in dazzling and powerful hues-from red ocher and cinnabar to azurite and malachite. By illustrating painted reconstructions of well-known sculptures in relation to original examples, this volume reveals how ancient artists in Egypt, Mesopotamia, the Aegean, Greece, and Rome brought unexpected and breathtaking color to their artworks. Accompanying these reproductions are watercolors of Greece's landscapes dating from different years, which show how our perception of ancient art has changed over time. Generously illustrated, this book testifies that the study of ancient sculpture is incomplete without an understanding of the many ways that color was employed to bring such art to life"--
648  4 $a21. století$7ch460559
650 04 $apolychromie$7ph124304
650 04 $adějiny sochařství$7ph483971
650 04 $aumělecké výstavy$7ph135854
655  4 $akatalogy výstav$7fd132536
910    $aBOE016$b81-C-2/S
997    $tKN
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